The original building is a 100-year-old Tianjin shipyard, respecting and paying tribute to the historical significance of the original building. The designer designed the project through the concept of a large ship driving on the sea, connecting the original showroom and the sales office which two separate buildings, through a corridor to form a complete building, and using the streamlined shape of the ship to design the building's outline, and with the design of the waterscape, the shape of thea large ship driving on the sea is formed.
Villa AT is located on a high vantage point, with an L-shaped floor plan pivots around a long curved glass façade, offering cinematic views of the landscape. The house stands in contrast to these boxy, conventional forms with a curving façade that uses wood in a fluid, contemporary way. Thin timber slats gently curve around the façade to create strong but soft forms. From a distance, the Villa AT has a serene, minimal appearance, but up close the rough texture of timber slats become apparent.
The outline of the external form adopts the thinking mode of modern architecture. The designer extracts the image of geometric clouds from the origami concept and extends the irregular shapes. With the same type of white film as the internationally renowned Burj Al Arab, the two elements are integrated through structural changes, which bring out the best in each other. The building gives people a concise feeling with a balanced and modern texture, and endows the space with different personalities, while leaving a lasting aftertaste.
Z Line House is one challenging project of private residential that is built through a long five years of design and construction. The geometry of the house is aimed to maximize the existing site's potential, a series of calculated geometric and sculpture like interventions on the facade exploits the tension between conflicting elements. The geometry is optimised in such a way to control the water flow from the rainfall condition in tropical area. The result is an optimised geometry for a specific site that was parametrically calculated to have an optimum performance.
The Cloud of luster is a wedding chapel located inside a wedding ceremony hall in Himeji city, Japan. The design tries to translate the modern wedding ceremony spirit into physical space. The chapel is all white, a cloud shape enveloped almost entirely in curved glass opening it to the surrounding garden and water basin. The columns are toped in hyperbolic capital like heads smoothly connecting them to the minimalistic ceiling. The chapel socle on the basin side is a hyperbolic curve allowing the whole structure to appear as if it is floating on the water and accentuate its lightness.
World's metropolises - like Beijing - have a large number of footbridges traversing busy traffic arteries. They are often unattractive, downgrading the overall urban impression. Designers' idea of cladding the footbridges with aesthetic, power generating PV modules and transforming them into attractive city spots is not only sustainable but creates a sculptural diversity that becomes an eye-catcher in the cityscape. E-car or E-bike charging stations under the footbridges utilize the solar energy directly on site.
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